I appreciate the link, Sonny, and there is some great info in there...
But I was asking more on the hypothetical type of situation. I have also been on some portrait shoots where the light needed to be located a long way away from the subject due to physical restrictions of the land, etc. and I have a shoot coming up on Saturday that is likely to be this way, and that got me thinking about light quality.
And more specifically, if a diffuser like a softbox would add anything to the equation, or if it would only cost you power (ie knocking the light down a stop or more)
I think Tom got to the heart of the question mainly, with the
Quote:
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but at 50' or more you are going to have a hard light anyway
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