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Originally Posted by fivegrand ...For some people. Two of my three shooting partners shoot "button down" for portrait hold. |
I have no idea what you guys are taking about with "button down"? To clear the discussion there are two ways to hold the camera portrait mode or landscape mode (not counting unique tilts).
With respect to off camera lighting, I'll have to say Canon has done an injustice to the photography world by not building in radio transmitters to their bodies and speedlights.
I shoot with off camera lighting at about 7-15 shoots per month and it is a hassle. I watched a Nikon shooter on Sunday and man was life easy for him. No pocket wizard, no need to use his light meter, that must be nice.
The only way to predictably use off camera lighting in all situations with Canon is to use a radio signal. I use Pocket Wizards and it irritates me that I need to go and spend another couple hundred bucks on another unit so I can fire 2 heads.
I just picked up a lastolite "hotshoe lightbox" and tested it last night. It is a pretty neat collapsible softbox built to work with speedlight type lights.
The problem with using anything other than radio signal is if you use an umbrella or small softbox the signal will get blocked if using the master/slave or the STE-2.
My process is not horribly difficult but I ALWAYS use my light meter when I go off camera. I meter the background so I get a shutter speed of around 1/40th and let the light meter tell me what setting for my aperture. I then manually adjust my lights to have the same aperture only I set the shutter speed to 1/200. I will then take several shots adjusting the shutter speed down to get the look I want. If I want the same amount of light on the background as my lights then I drop my shutter speed to 1/40th.
You can reverse the process by having an extra stop of light or two if you want a backlit subject.
Most of the time I'm doing this in bright light and I want my subject to stand out against the background so I will shoot at at least 1/80th or 1/160th.
In the next issue of Frisco Style Magazine you will see numerous shots with this method as it is the heaviest photography issue of the year. The shot that I'm thinking will make the cover will be a great example of this method.