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Originally Posted by Jaydandy I like the composition... |
Agreed. Oh, you could crop (and would have to for certain paper sizes), but the gate provides perspective and framing.
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Originally Posted by Jaydandy ...I would like to have been able to add light with a deflector or off camera flash to soften the shadow falling across his face... |
Good. Either would have helped when you are trying to compensate for harsh direct light.
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Originally Posted by Jaydandy ...Currently I have a D50 and SB 400... |
There are good tools right there. Experiment with TTL or BL-TTL, even in sunlight to see if you can fill in the shadows. If you try setting the camera to manual exposure, say about -2/3 of a stop below the meter, and let the flash fill in with TTL, you may have a place to begin.
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Originally Posted by Jaydandy ..Being able to direct light with a deflector will be the quickest way to improve, I just need to learn, practice and seek advice... |
And, yes, a reflector is good, but when your subject is on the run, you'll need another pair of hands and a lot of patience.
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Originally Posted by Jaydandy ...With this subject the best I could do was out run him, turn and shoot. |
Let me be tactful here. If you are seeking to improve, you need to eliminate anything that smacks as an excuse for how things came out, and ask what you can do about it. What can you do with a bundle of energy to direct him towards the scene? You set up situations and direct their attention so they will naturally react facing the camera. The pros use tripods and remotes to preposition the camera. Then they create a situation and direct the subject into it so that when they enter the subject area of the camera, they are facing it. For example, place a bike in the scene and position the child in the background so he is walking towards the camera when he encounters it. Sounds simple! It is not. But it helps you move away from taking pictures and making pictures.