Quote:
Originally Posted by garykohs These are with a Canon 7D and Canon 300/4 IS - hand held.
I'd appreciate anyone telling me which of these BIF shots are good, and why. I've just never done this before.
They were all shot in single point with multi-point expansion and AI Servo. |
Gary since no one else has responded yet to your post let me first say congratulations on your first BIF images. You’ve ventured into an area of wildlife photography that provides perhaps the greatest challenge to the nature photographer. When you move from shooting static targets to ones in motion the challenge of capturing a great shot dramatically increase.
Regarding your question, which is a good BIF and why, if you ask a dozen people you’re likely to get many different answers. In my experience I’ve found that shooting BIF is difficult, and shooting BIF of white flying targets is extremely difficult. Personally I believe that shooting white birds, especially in harsh overhead light, is perhaps the most difficult BIF image to properly capture. Take heart that for your first outing, your handheld BIF shots are very respectable.
As far as the subject of your first BIF shots, while big white birds such as the Great Egret are great for filling your frame when shooting with short glass and providing a larger target to practice tracking, there is a reason why I refer to white birds as flying sun reflectors. It is very rare to see a BIF image of a white bird shot in harsh sunlight that’s not blown out. More often than not they are seriously blown out. Skilled Photoshop shooters usually attempt to pull the blown highlights out in post but the results are often not pleasant if you critique with an honest eye. The good news is that Fiona & Finn Facebook rarely catch the mistakes that nature shooters often labor over in post while they attempt to salvage an otherwise great shot.
If you study the EXIF on outstanding white BIF images, they are nearly always captured by the most experienced BIF shooters and you’ll usually find they aggressively use Exposure Compensation in an effort to keep the whites from being blown out. Your Canon bodies both provide +/-3.0 EC, so take advantage of this world class feature next time you’re afield. Also consider yourself fortunate because many of us shoot with ancient gear limited to +/-2.0 EC.
Besides choosing to shoot in less aggressive light and learning to master EC, also make good use of the outstanding ISO performance that your gear provides. Both limiting EC and bumping up ISO are key components to successful BIF photography. While light conditions should always dictate all settings for the experienced shooter, often a good starting point is to set your ISO to match the focal length of your glass, this is especially important when attempting to handhold. Depending on available light, start with say ISO 320 in decent light and bump up to ISO 640 as light starts to diminish. Your gear has a much better range than most in regard to ISO so don’t be afraid to use much higher ISO settings when you shoot at dawn or twilight. The suggested ISO range is just a common starting point so please don’t limit yourself and mistakenly take my suggestions as gospel.
One last point to strive for is to always nail your focus point. I nearly always aim at the nearest eye and verify in post. When you review your images in post, don’t waste time on shots where you were close but missed your target. They will always look soft at best. Use your camera provided software to check your focus points in post. In Canon’s DPP I believe that ALT L usually will allow you to view your focus points. They can also be controlled under the View tab.
Again great job on your first BIF captures. Enjoy your BIF journey.