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Originally Posted by Murph Yes, these are amazing lenses once you figure out how to work them.....I really need to read the manual. |
The chapter on lens movements in Ansel's "The Camera" is a good overview. My approach to using these lenses is as follows:
1) Compose through the view finder as normal, except that I'll usually level the camera and then make vertical composition adjustments using lens rise/fall.
2) Activate live-view; open lens aperture all the way (unfortunately the little button doesn't work, you have to actually change the aperture setting).
3) Use the zoomed-in live-view for manual focusing.
4) Stop the lens back down to shooting aperture and check sharpness though the frame to make sure I have enough DOF.
5) If more DOF is needed, sometimes I use tilt (not much is needed unless shooting fairly close-up though)
6) Switch over to M-Up mode and shoot (with tripod and cable release, of course).
It sounds more complicated than it is.
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Originally Posted by KdLaneJr Nicely done Jeff! The TS-E 45 is on my list, as is the TS-E 24 II. I've seen and read great things on the TS-E 17, but at the moment I think that's too wide to put on my llist. |
Yeah 17mm is pretty wide on full-frame, I guess it could be useful for interiors or skyscraper shots in a city, but for what I shoot 24mm is mostly wide enough.
BTW my comment last winter about not using the 45mm PC-E much has changed now that I'm shooting full-frame. On DX format, 45mm is kind of in-between - not normal and not quite telephoto. So I mostly just used it for flat stitching, which gave me a wider field of view. On full-frame it's a much more useful focal length, and I think it will be one of my workhorse lenses.