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Originally Posted by LoungeLizard I'll have to try it...thanks to both of you.
Now, stupid question time (remember, relative PS newbie here). Now that I know the steps, can you explain what and why it happens/works this way? (For extra credit, of course!) |
This is much too complex a subject to fully discuss, but I'll to give you a little background.
Lab color is the only color space available in PS that lets you separate the color from the luminosity. Lab consists of basically 6 colors: black, white, red, green, blue, and yellow. Each channel in the curves dialog represents the relationship of a pair of the above colors. L = black and white, a = red and green, and b = blue and yellow. When you adjust a curve in any of these channels, your actually changing the relationship of one color to another. By adjusting the curve in the manner I did in that basic example you are just steepening the curve around the center point of the graph and thus intensifying the colors. The steeper the curve the more intense the color. As long as the center point doesn't stray from its original placement, you won't see any color casts develop in the middle tones.
Now you have to be careful using Lab to adjust colors because the lab color space is huge, much bigger than even prophoto. There is a possibility of out-of-gamut colors being generated. You can also create imaginary colors, like a black-yellow or a white-red, but that's for a different discussion.
One of Jeff's actions helps avoid out-of-gamut colors by not allowing the adjusted curve to be applied on colors that are already super saturated. Lab is a pretty powerful editing space, but should be used with some respect. You can really honk things up if your not careful.
Like Jake had mentioned above, you can also sharpen in Lab (which I believe is the best way to do so). If you convert to Lab and then apply your sharpening to only the L channel, you'll avoid color halos.
Lab is also great for noise reduction. If you have a lot of color noise, you and run a slight Gaussian blur on the a and b channels to remove a good portion of the noise found in your high ISO shots.
There are a lot of other neat thing that you can do, but these few techniques should keep y'all busy. I'd suggest getting a book on the Lab color space for anyone that would like to learn more.