I thought I might take the example from this thread (
http://www.texasphotoforum.com/forum...817#post858817) and open a discussion on pricing.
The bride&groom requested:
Quote:
- 8 hours of coverage
- 2 photographers
- Wedding Album
- 2 Parent Albums
- Engagement Portrait Session
- Hi-Res disc of negatives of Wedding Day images and Engagement Portrait session images with permission to make prints for personal use -$2500 or less |
I'll start by discussing what we would normally quote for a package like this: at minimum, $6750 + tax
And here's a sample breakdown of what things *could* cost YOU as the photographer. Keep in mind two things: we're still pretty young into this whole wedding photography business so take this with some salt and two, these prices aren't actual. just estimates. 8 hours of coverage - not much cost here. possibly an hourly to yourself of like $65/. keep in mind processing time. 1 hr shooting = 1 hr processing, etc. also keep in mind your cost of living (rent, utilities, car, etc.) and cost of running a business (memberships, taxes, supplies, fees, marketing, customer service, etc.)
2nd shooter - depending on rate/skill of 2nd shooter requested, this can range anywhere from $150 - $500 for the 8 hour wedding.
Wedding album - this is where it could get a little more complicated depending on the albums you use. i calculated for a 40pg album for our quote. cheaper albums with thin pages can cost as little as $150 for a 40 pg 10x10 album where expensive albums with thick pages and genuine leather covers can cost near $450 for a 40pg 10x10. this is just the COST to print and bind. don't forget your design time/rate (anywhere from $200-$400).
Parent albums - i make the assumption that the parent albums are the same design as the main album (so there's no additional design fee/cost). again, parent albums depend on the quality of the album provided. 8x8 flushmount copies can cost as much as $300 a book where cheaper flip books can cost like $25 a book.
Engagement session - time and processing, again, are factors here. additional assistants, location fees, supplies (disc to send files on) are also calculated in.
Hi-res disc - i'm in the camp that believes you should give your files to your clients. i'm also in the camp that believes print sales are just icing on the cake. but, if you are in the other camps, i respect that too. as for selling the disc, people have been known to put a price tag of anywhere from $150 to $5000 on the disc. some people give out the RAWS, sooc, others give out edited jpgs. you have to determine what has value to you and to your clients. if the edited jpgs have value, charge for those. if the unedited raws have value, charge for those. costs of shipping, packaging, and time are factored in here as well.
As you can probably tell, $2500 for all that isn't much profit, let alone rent $. If you have another primary job, you might be fine. If you don't, you're probably screwed. :-)
Just starting out discount - if you're just starting out, great! hope you're not in dfw or we'll come to your studio and break your cameras. j/k. it's seriously great that more people are getting into photography and starting to take this business more seriously. couple things. if you go into it, go into it 100%. get your tax license, register with the state, do things legally. it's really NOT your choice whether or not you want to pay sales tax. anything that leaves a trail is taxable and irs-huntable. if you don't charge tax, you're still liable to pay it. if you do everything with cold hard cash and no contracts, get yourself an entourage.
second, charge TODAY what you want to be charging a year from today. if you're just starting out, do not shoot a solo wedding. you can ONLY shoot a solo wedding if the bride and groom don't even want pictures. in that case, there's no value attached to what you do/don't do. best route? beg and plead an established studio to let you tagalong and learn the flow of a wedding day and (if you aren't assisting and get to shoot) to critique your work. unfortunately, this is the hard part because most established studios are pretty busy taking care of their own clients to take time to critique/train someone else. it's definitely not meant to be rude, just has to do with priorities. this was the main route i took. shout out to dori and jason from photogenicimages.net! (we'll try to have spots open from time to time for tagalongs/assistants on weddings and portrait sessions, but no guarantees).
there are a ton of other ways people break into the business, but the primary lesson is: don't do it alone. your clients and their wedding images are way to precious for you to mess up. *especially* in this economy. we're finding that people are willing to pay more for their photography and spend less on everything else. (for example, we just got a deposit for a bride who hasn't set her location yet. she booked us for a date and will do everything else around that date) consequently, these are the types of clients we LOVE working with anyway... :-)
so, i hope this helps a little and gives you a glimpse of what it would take to run a business. keep in mind that a wedding photography business is 85% business, 15% photography. a business is still a business regardless of what you provide.